Veteran Nigerian music star SkyB has voiced deep disappointment over the perceived lack of support from younger artists in Port Harcourt, a sentiment he shared during a recent appearance on the KAA Truth podcast. The singer, who once played a pivotal role in promoting emerging talent in the city, expressed frustration that many of the artists he helped rise to prominence have distanced themselves as his own career declined. He specifically named Mr. 2Kay and Timaya as beneficiaries of his mentorship and industry connections during his peak years. SkyB emphasized that he invested significant time, resources, and effort into building the Port Harcourt music scene, only to feel overlooked in return.
During the podcast, SkyB recounted a painful incident where he facilitated a performance opportunity for an artist by personally contacting the governor’s office. Despite his intervention, the artist refused to share the stage with him, declining the contract outright. “These are brothers I have helped in the past,” he said, highlighting the emotional toll of such rejections. He stressed that the sacrifices made by him and others were not just for personal gain but for the collective growth of Port Harcourt’s music industry.
SkyB also pointed to Burna Boy, the Grammy-winning artist from Port Harcourt, as someone who could have offered support during his career downturn. While he clarified that he did not directly contribute to Burna Boy’s rise, he believed the younger star had a moral obligation to reciprocate. “He is supposed to support me financially or collaborate with me to rejuvenate my career,” SkyB said. He added that if he were from a different ethnic group—specifically Igbo or Yoruba—he might have received more assistance, suggesting that regional bias plays a role in how artists are treated within the industry.
His comments have ignited discussions across social media and music circles, raising important questions about loyalty, mentorship, and regional dynamics in Nigeria’s entertainment landscape. Many are reflecting on how established artists are often left behind when the spotlight shifts, and whether the industry truly values its pioneers. SkyB’s story underscores a broader issue of recognition and support within the Nigerian music ecosystem, especially for artists from the Niger Delta region.
As the conversation continues, SkyB’s experience serves as a reminder of the importance of giving back and maintaining solidarity among artists. His words may prompt younger musicians to reconsider how they honor those who paved the way for their success. The future of Port Harcourt’s music scene may depend on whether the next generation chooses to build on the foundation laid by its veterans or let it fade into silence.
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