Afrobeat musician Made Kuti, son of legendary Fela Kuti, has shared his unique perspective on marriage proposals, emphasizing mutual respect and equality in relationships. In a recent interview on the Timeless Podcast, aired on Nix Network’s YouTube channel, the 30-year-old artist revealed that he did not kneel when proposing to his wife, Inedoye Onyenso. He explained that marriage should be seen as a partnership built on mutual agreement, not a ritual where one person “begs” the other to commit. “I did not go down on my knees when proposing to my wife because I told her it was a mutual decision. We are not begging each other to be with each other,” he stated.
Made Kuti and Inedoye Onyenso exchanged vows in a private wedding ceremony held in Lagos in November 2023. The couple’s relationship has drawn public attention, especially after Made Kuti disclosed that Inedoye was once his “school daughter,” a term he used to describe their earlier connection during her time as a student at his school. Their union also sparked discussions about ethnic dynamics in Nigerian society, particularly since Inedoye is Igbo while Made Kuti is Yoruba. In 2025, the musician responded to critics who questioned their marriage, calling such criticism “ethnic bigotry” and labeling it a “slave mentality.” He stood firmly by their decision, asserting that love and partnership should transcend tribal boundaries.
Meanwhile, another Nigerian entertainer, comedian and singer Carter Efe, has stirred online conversations with his candid revelations about the music industry. In a viral video, Carter Efe described the industry as “very devilish,” expressing regret over his initial naivety. He admitted he once believed music success was as simple as releasing songs and enjoying public attention. “I ran away from music because the industry is very devilish. I thought once you drop a song, you can just go outside and dance to it,” he said. He further revealed that he later discovered the harsh realities of revenue sharing and music distribution, citing a letter from Spotify that claimed he would receive less than 10% from his songs.
His comments ignited debates across social media, with many Nigerians questioning the accuracy of his claims about Spotify’s payout structure. Some users defended the platform, while others echoed his frustrations about unfair compensation in the music business. As Made Kuti continues to advocate for love beyond tradition and Carter Efe speaks out about industry challenges, both figures highlight ongoing conversations about culture, equality, and sustainability in Nigeria’s entertainment landscape. Their stories reflect a growing demand for authenticity and fairness in personal and professional spheres.
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