Nigerian singer Seyi Vibez has ignited a social media storm after publicly criticizing fellow artist Adekunle Gold, targeting both his music and fashion sense in a harsh post on X. The controversy erupted on Friday when Seyi Vibez posted a derogatory message, calling Adekunle Gold “wack” and referring to him as an “old fool.” The comment quickly went viral, sparking widespread reactions from fans, critics, and fellow musicians across Nigeria’s music scene.
In the post, Seyi Vibez did not provide a direct explanation for his outburst, but many observers believe it stems from a perceived jab in Adekunle Gold’s recent track, Life Of The Faaji. In the song, Adekunle Gold sings, “They love my Fuji/this one no be Fuji Moto,” a line that fans and critics have interpreted as a subtle dig at Seyi Vibez’s hit song Fuji Moto. The reference has fueled speculation that the two artists may be engaged in a growing rivalry, though neither has confirmed this publicly.
As of now, Adekunle Gold has not issued any public response to the criticism. His silence has only added to the buzz, with fans divided over whether the comment was a genuine artistic disagreement or an attempt to gain attention. Some supporters of Seyi Vibez defend his right to express opinions, while others argue that such public attacks undermine the unity needed in the music industry.
Meanwhile, the incident has drawn attention to the increasingly competitive nature of Nigeria’s music landscape, where artists often engage in public spats over creative differences or perceived slights. Social media platforms like X have become battlegrounds for these disputes, with fans quickly taking sides and amplifying the drama.
Beyond the music controversy, another story has been making waves online. A Nigerian entrepreneur in the perfume business has shared her success story, claiming that investing ₦5 million in the fragrance industry can yield up to ₦3 million in monthly profit. In a viral video, she revealed that she once started with just ₦500,000 and made ₦800,000 in profit. Her claims have sparked mixed reactions, with some praising the potential of the business and others questioning its sustainability and scalability.
The perfume business narrative has added another layer to discussions about entrepreneurship in Nigeria, highlighting both opportunity and skepticism. As debates continue online, the Seyi Vibez-Adekunle Gold saga remains a focal point, reminding the public of the volatile dynamics that can unfold in the world of Nigerian music. The incident may well influence how artists approach public commentary in the future, especially as social media continues to shape public perception.
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